‘Wild Ennerdale’

£250.00

‘Wild Ennerdale’. Lake District, Ennerdale. Like a breath of fresh air, the ongoing rewilding of Ennerdale has seen the process of removal of sterile conifers which, since their planting in the 1930’s, effectively strangled the valley. This view looks over the head of Ennerdale Water to the heights freshly dusted with early spring snow. To the left stands the great bulk of Pillar mountain and on its left edge the twin tops of Pillar Rock. To the right of the first col, called Wind Gap , above the basin of Windgap Cove, stands Black Crag and then the ridge falling from Scoat Fell to the distinct thimble-like cone of Steeple with the basin of Mirkiln Cove to it’s right.

Description

‘Wild Ennerdale’. Lake District, Ennerdale. Like a breath of fresh air the ongoing rewilding of Ennerdale has seen the process of removal of sterile conifers which, since their planting in the 1930’s, effectively strangled the valley. This view looks over the head of Ennerdale Water to the heights freshly dusted with early spring snow. To the left stands the great bulk of Pillar mountain and on its left edge the twin tops of Pillar Rock. To the right of the first col, called Wind Gap , above the basin of Windgap Cove, stands Black Crag and then the ridge falling from Scoat Fell to the distinct thimble-like cone of Steeple with the basin of Mirkiln Cove to it’s right.  

Specifications and a brief background about the materials chosen in these prints are below:

Image area 23″ x 15.34″ (6900px x 4600px)

Archival paper: Hahnemuehle 350gsm Museum Etching – a natural white, 100% cotton paper, which guarantees archival standards. With its premium matt coating, Museum Etching features a distinct textured surface, which meets the highest industry standards for density, colour gamut, colour graduation and image sharpness, while preserving the special touch and feel of genuine art paper. Hahnemuehle were founded in 1584 and are the oldest German papermakers manufacturing papers for traditional and digital artists.
Your print is designed to archival standards and is acid free.

Archival inks: UltraChrome K3™ ink technology represents a turning point in the history of Giclée printing, producing archival prints with amazing colour fidelity, and scratch resistance, while providing stable colours from the moment prints exit the printer, lightfastness ratings of up to 108 years for colour and over 200 years for black and white under rigorous industry accepted display conditions. Protected with two coats of Fine Art Protective Spray increases the water-resistance of prints and protects images from fading caused by UV rays, and adds up to 100% increase in fade resistance. Also protects against airborne contamination, and ozone damage.

General Care: As with any valued fine art print, it is recommended that it be displayed in indirect lighting conditions and away from any contact with moisture. Using archival materials for mats, backing and spacers, museum quality framing and UV protected glass/plexiglass will add to the life of the print. The artwork should never directly touch the glass/plexiglass.

Giclée Prints: The paper of the print itself needs to be handled carefully to prevent absorption of oils and/or marks from fingertips. Be careful to avoid dents and creases, since these can be very difficult or even impossible to remove later.

Lighting: It is recommended that you DO NOT keep your Giclée prints in direct sunlight, even though your print comes with UV protective coatings. Less light means less fading from harmful ultraviolet rays.

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